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Democratic Congressmember, Zoe Lofgren, represents a constituency in central California that includes parts of San Jose and the Silicon Valley. In late October 2011, after some of her colleagues in the US House of Representatives, led by Congressmember and Chairman of the House Judiciary Committee Lamar Smith of Texas, introduced a bill called the Stop Online Piracy Act [SOPA], Ms. Lofgren declared her opposition to the proposals as “the end of the Internet as we know it.”
SOPA, sometimes known as E-PARASITE [Enforcing and Protecting American Rights Against Sites Intent on Theft and Exploitation], is the House’s equivalent of the Senate’s PROTECT-IP [Preventing Real Online Threats to Economic Creativity and Theft of Intellectual Property] bill, in that both are meant to put a stop to websites that carry content that infringes on copyrights, combined with Senate Bill 978, which would criminalize online streaming even of people who sing others’ songs on YouTube. Whatever kind of anti-online piracy legislation gets passed, there is the thinking that it could do more harm than whatever good may come of it. How so? Let us count some of the ways:
Under the proposals, any copyright holder can get a court order to shut down a website that posts any infringing material without giving the accused website an opportunity to challenge such a shutdown in court. On top of that, the owner of such a website could even be denied Internet access…again, without due process.
Prof. Mark Lemley of Stanford told the public radio program “Marketplace” that if you so much as put up a link to a website that carries the infringed copyright material, you’ll end up just as guilty of “facilitating infringement” as the website that infringes copyright. Even Google, Twitter, Facebook and YouTube could be all but put out of business as a result.
David Sohn of the Center for Democracy & Technology commented that under SOPA, “a central issue is that the bill’s definitions of bad websites are vague and broad.” So much so that the Future of Music Coalition commented that even legitimate sites, both within and outside of the US, could be held for violations of SOPA, thus making the Internet “too wide for comfort.” On top of that, copyright owners, by filing a court order against an infringing website, don’t have to go to court and explain their actions, which adds to there being no opportunity at justice for the accused.
Previously, I wrote about how a neighborhood in Houston, Texas was experimenting with wireless broadband [a.k.a. wifi] that used unlicensed “white spaces” between TV channels. Now, it looks like this idea, based on what the Federal Communications Commission authorized back in September 2010, has bred a standard that will increase its availability.
The Institute of Electrical and Electronics Engineers, who sanctioned the “wireless local area network” standard known numerically as 802.11, has given a number to this new “wireless regional area network” idea…802.22. According to IEEE’s press release, the “Wireless Regional Area Networks” that can be spawned from this new standard can cover a radius of up to 62 miles [100 km], based on flat terrain, and can deliver speeds of up to 22 mbps, which, by itself, would rival most existing available broadband services, wired or wireless.
But just because a new wireless broadband standard can provide speeds equal to much of what’s available now doesn’t quite mean it will. A more realistic scenario that could occur if twelve users are on any one unoccupied “white space” channel would have speeds at just 1.5 mbps for downloading, and 384k for uploading, on a par with DSL systems.
Even so, rural areas of the US, as well as in many underdeveloped parts of the world, are reported to be the most likely of areas to gain this new wireless broadband technology once it takes hold by 2013 or so, because those areas don’t have as much Internet access, but are certain to have plenty of white spaces due to less over-the-air digital TV channels. Larger cities, which have more TV channels on air, are less likely to have “white spaces,” though “channel bonding” [more than one empty TV channel] can increase the available bandwidth.
During a video advertising summit meeting held in New York during the first week of June 2011, representatives from Comcast/NBC, TimeWarner’s Turner, and Disney’s ESPN, predicted that TV “everywhere” was imminent, and that by 2013, three-fourths of TV content would be available online and on mobile devices.
The representatives are already aware of the impact that Netflix is making, but they also think that broadband caps could be what would hold it back, to say nothing of trying to clear the rights for much of that content.
Since Comcast is both an owner of cable-phone-broadband systems, as well as a content provider through its ownership of NBC, USA, Syfy, MSNBC, CNBC, Versus, Golf Channel, Weather Channel, Bravo, Oxygen and a few other channels, it can be argued that the idea of “TV everywhere” advocated by Comcast, among others, could clash with their own idea of capping their subscribers’ use of broadband.
On Monday, May 9, visionaries and high-tech players from all parts of the music technology spectrum will meet in San Francisco for the SF MusicTech Summit to “talk shop” on the evolving music industry ecosystem—converging culture and commerce and bringing together the best and brightest developers, entrepreneurs, investors, service providers, journalists, musicians, and organizations in a proactive dealmaking environment.
The range of guest speakers, panelists, and attendees include founders and representatives from leading music-tech companies like Slacker, SoundExchange, Pandora, Topspin Media, Live Nation, and MOG, to tech and business press like TechCrunch, Bloomberg / Businessweek Magazine, and Billboard Magazine, to musicians like Lead Singer of Incubus, Brandon Boyd, and Incubus Guitarist, Mike Einziger, to VC groups like Walden Venture Capital, and organizations like GoGirls Music —”Cuz Chicks Rock!” says their Fearless Leader and Founder of Social Networks for Business, Madaln Sklar.
One of my favorite, new music-tech businesses in attendance is StageIt—a platform that brings together artists and fans, akin to a modern-day fireside chat. StageIt was founded by Evan Lowenstein of Evan and Jaron—the Pop/Rock, Top 40 hit-making duo who topped the charts in 2000 while signed with Columbia Records with their self-titled album Evan and Jaron—the StageIt concept is ripe and ready to blow-open living room doors across the globe by providing a platform for artists to “interact with your fans LIVE at anytime and from anywhere. It doesn’t matter if you have millions of fans or just a few, you now have an online stage where you can showcase your talents to the world and make money!”
“StageIt isn’t about broadcasting concerts online. It’s about sharing the amazing moments that happen in between. Did a friend drop by to jam? StageIt. Got a new tune you’re working on? StageIt. Getting ready to go on stage? StageIt. The front row seat is the most expensive in the house, but the place everyone wants to be is backstage. We made it so easy for you to finally give your fans a row seat to your ‘backstage’ experiences.”
How cool is that? What’s even cooler? Alongside an artist’s live performance onscreen is a tip jar, merchandise store, and chat window—clever, classy, brilliant, and 100% on par with the future.
Yesterday, O’Reilly Media researchers, Alasdair Allan and Pete Warden released an article exposing a hidden file that records every movement of an iPhone. All iPhones store location data in a file called consolidated.db. Warden released an OS X application to show users the significance of their discovery. The application shows each user where they have been since last July. Not only is the data stored on your phone but also your computer.
This database of your locations is stored on your iPhone as well as in any of the automatic backups that are made when you sync it with iTunes.
This isn’t the first time we have heard of the file. In fact in February 2011, Sean Morrissey and Alex Levinson previewed Lantern 2.0 at a Cyber Crimes Conference in Washington DC. Lantern 2.0 however is a commercial forensics product that retails from $600-700. And before that, Alex Levinson began work on the vulenerabilities of iPhone and iPad. Check that out by clicking here.
Game makers around the world have been trying to entertain us for years. At current the Games industry is somewhere around a $50 billion worldwide industry. Certainly the largest of the entertainment industries. But how are they made? We are familiar with movies and music but so often no one addresses the game development process. We are here to show a high level view of what goes on behind the doors of a game studio.
All games are produced by a team of very smart and talented people:
There can be more people involved, but this is the basic crew. Now that we have the team in place, let’s make a game!
Part 1: Game Design Basics
I have been asked several times on how games are made. What are the processes and activities that go into a game? Well to start, games can be very simple or very complex, but there are some overarching rules that most game designers use. Games are made of a set of simple rules that allow the player to advance through the game, but sometimes these rules become complex for the designer. Without getting into too much detail I will go over a few things to keep in mind.
First off, games are not puzzles. They are experiences that take players through an interactive journey. Games are different in that they change with the decisions of the player. Puzzles never change.
Every developer of mobile applications faces the same issues: discovery, monetization, and security. Well, security wasn’t at the forefront until something happened that changed the industry. As seen recently, the mobile world for the first “real” time has been under attack. Last week’s attack on Android has shown there are serious flaws in security. Experts in security have predicted that smartphones will be targeted heavily as more users migrate from computers to smartphones in 2011. Moreover, the attack is even new to the world of computing. For the first time hackers can send malware packets and it costs the user real money.
While Google has reportedly expunged over 50 apps on the Android Market, it is very clear that malware and piracy on mobile devices are at the forefront of the new generation of hackers. It is important for mobile developers to begin a paradigm shift in the business and technology models in maintaining a healthy marketplace for mobile users. And more importantly, for the business. In the meantime Google and the likes will have to battle quickly to change the mindset of the community. After last week’s attack Google responded with some vague notions of their plans to help in the cyber war.